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Shure
Beta-52

The Shure Beta-52
is a professional quality kick drum mic made for studio and live
use. It has a frequency response that has been specifically tuned
for kick drums as well as other bass or low frequency instruments
(like bass guitar). It has a great sound with excellent attack and
frequency response. You can place it right in the kick next to the
beater (if you like a lot of click) as it can handle up to 174 dB.
The frequency response is 20Hz up to 10kHz.
The polar pattern is
super-cardioid which is more directional at lower frequencies. The
mic will reject sounds from the rear and sides which makes it work
well in the studio and for live situations.
This is a a high
output dynamic mic which can take the punishment of being on the
road. It is Dave's choice for both his 22" and 18" bass drums. He
also uses it underneath the Remo Tombek, producing a great
low end sound.
TECHNICAL:
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20 Hz to 10kHz
Frequency Response
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Designed
Specifically for kick drums and bass instruments
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Built-in locking
stand adapter
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XLR connector
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Greata for Studio
performance
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Can Handle upto
174dB SPL: extremely high sound pressure levels
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Supercardioid
pattern allows high gain while rejecting sounds from rear and
sides
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Steel mesh grille
guards against wear and abuse
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pneumatic shock
mount system
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Neodymium magnet for
high Ouput signal
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Low sensitivity

Shure
Beta-98

Dave has used these
mics (and the SM98s before them) for many years, mostly for toms,
though he has found them to work well with snares and percussion
instruments. He feels that they produce the most natural tom sound
of any mic out there; and he has tried them all!
TECHNICAL: The Beta 98D/S is a high performance mini-condenser
microphone designed to excel at professional sound reinforcement
or recording. Its ultra-uniform supercardioid pickup pattern
provides high gain before feedback and excellent rejection of
unwanted noise. An optional cardioid cartridge lets you easily
adapt the mic to different applications.
As the successor to
the popular SM98A, the Beta 98D/S features several notable
improvements. Dynamic range is 4 dB greater, as is headroom, while
maximum SPL is 5 dB higher (now 160 dB!). Physically, the mic
utilizes a thicker, beefier Triple-Flex® cable (detachable).
With the unique A98D
microphone drum mount (supplied), no other rim-mounted microphone
stays more securely in place. This hardware has been redesigned
for quicker, more secure rim-mounting without the need for a drum
key. Its flexible gooseneck lets you position the mic in
practically any configuration, so you get a virtually unlimited
choice of sound options. Its unobtrusive design and compact size
help the Beta 98D/S reduce stage clutter to an absolute minimum.
(The microphone is also available without the drum mount - model
Beta 98/S.)
Because it bears the
Shure name, you can be certain that the Beta 98D/S will
withstand just about any abuse it may run across and keep
delivering great sound.
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Tailored frequency response for
studio quality performance
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Wide dynamic range for use in high
SPL environments
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Uniform supercardioid pattern for
high gain before feedback and superior rejection of off-axis
sound
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Optional A98D drum mount is
unobtrusive and versatile--allows precise positioning of the
microphone while holding it firmly in place
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Compact design reduces stage
clutter
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Detachable cable for easy storage
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Interchangeable microphone
cartridges with different polar patterns are available
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Legendary Shure quality,
ruggedness, and reliability

Shure SM-57

The Shure SM-57
unidirectional dynamic microphone is exceptional for musical
instrument pickup or for vocals. It has been Dave's choice for his
snare drums ever since he first began miking drums.
With its bright, clean
sound and carefully contoured presence rise, the SM-57 is
ideal for live sound reinforcement and recording. It has an
extremely effective cardioid pickup pattern which isolates the
main sound source while minimizing background noise. In the
studio, it is excellent for recording drums, guitar, and
woodwinds.
For musical
instruments or vocals, the SM-57 is a consistent choice of
professional performers. It is also the standard microphone used
on the podium of the U.S. President for over 30 years. Its
outstanding performance, legendary reliability, and diversity of
application make this "workhorse" the choice of performers,
producers, and sound engineers the world over.
TECHNICAL:
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Contoured frequency
response for clean, instrumental reproduction and rich vocal
pickup
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Professional-quality
reproduction for drum, percussion, and instrument amplifier
miking
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Uniform cardioid
pickup pattern isolates the main sound source while reducing
background noise
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Pneumatic
shock-mount system cuts down handling noise
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Extremely durable
under the heaviest use
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Frequency response:
40 to 15,000 Hz

Shure SM-81

The
Shure Model SM81 is a high-quality, unidirectional condenser
microphone designed for studio recording, broadcasting, and sound
reinforcement. Its wide frequency response, low noise
characteristics, and low RF susceptibility have made it a standard
for applications involving acoustic instruments, especially
guitar, piano, and cymbals.
TECHNICAL:
The SM-81 is
ruggedly constructed. It operates on phantom power and performs
over a wide range of temperatures and humidity conditions. It is
furnished with a swivel adapter, attenuator-switch lock, foam
windscreen, and case for carrying and storage. Other accessories
are available.
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0 Hz to 20 kHz
frequency response
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Flat response curve
for accurate reproduction of sound sources
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Low noise and high
output clipping level
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Low distortion over
a wide range of load impedances
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Cardioid polar
pattern, uniform with frequency and symmetric about axis,
providing maximum rejection and minimum coloration of off-axis
sounds
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Low RF
susceptibility
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Selectable
low-frequency response: flat, 6 or 18 dB/octave rolloff
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0 dB/10 dB lockable
attenuator switch
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Phantom powering
(DIN 45 596 voltages of 12 to 48 Vdc)
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Rugged steel
construction for durability
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Field-usable over
wide range of temperature and humidity conditions
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