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Being
a working musician can tend to lead one down a path of being a
"workaholic," which I have been labeled as more than once -
especially by those close to me! No matter what you do for a
living, getting away from it and finding inspiration elsewhere
can be very healthy - especially for the creative aspect of what
you do.
Well, I have been pretty busy
lately, but I finally took a little of my own advice and found
some inspiration - behind the wheel.
As some of you may know, I
have a passion for automobiles, especially ones that go fast!
I can easily compare the instantaneous response of drumming and
making music to a fast, responsive car.
Over
the years, I've had a Porsche 911 SC, a C4
Vette, a 1969 Vette and a 1969 GTO clone. My
present day car is certainly no slouch - an ‘01 Audi S4 Avant
(that’s a fancy German word for ‘station wagon’). Anyway, it’s a
great car, functioning in both utility and sports car-like
abilities, propelled by a twin turbo, 300+ horsepower engine
with a six-speed. It’s a total sleeper, and rare to boot. There
were only around 1,600 brought into the U.S. that year. No real
modifications - just a chip.
In an effort to be
"practical," I have decided that I want the Audi to last a few
more years. I want it to continue to be the everyday car.
So, it was time to look for
the impractical car! This
brings me to my latest ‘fun’ project.
A little
history...
My fastest and most loved
muscle car was a four-speed ’69 Vette, mechanically built by my
friend and very-able mechanic John Stevenson in Chatsworth, CA
(he’s a pretty good drummer too!). When John was finished with
it, the small block 350 engine produced over 400 HP at the crank
with the A/C on, and sounded like a NASCAR going down the
street!
It was a blast, but became
very impractical when my daughter, Claire, came along (no back
seat!), so the Vette was sold. I had vowed to never buy a
real 'project’ again (which the Vette was!) meaning something
that had to be restored or that needed a lot of work. I really
wanted to get, say, a real ’69 GTO, Firebird,
Camaro, Mustang or something like that, but
investors have pushed the prices of the nicer cars out-of-site.
Besides that, cars with
original high- performance motors of that day are not really drivable on 91 octane gas (best we can get in CA - unless you
search out racing gas). So, that brought me to rethinking the
situation and considering something relatively late-model.
I wanted something that would
go fast and handle well while being relatively comfortable and
drivable for everyday use. It would have to offer A/C (gotta have
it in the SoCal heat!) and also have the classic rumble of a V8.
I started looking at the possibilities of early to mid -'90s
cars, but didn’t want another Vette, (still no back
seat!) which only left two viable American V8 muscle options: a
Mustang or a Camaro (I don’t like the look of the
Firebirds).
I went down the Mustang
lane first, looking at the fox bodies (mid 80’s through '93).
Stock cars, even Cobras were nothing special. They just weren’t
quick enough (!) I started seeing a lot of 347 stroked motor
cars out there, some with blowers (super chargers). I drove one
with over 500 horsepower at the rear wheels - definitely the
fastest car I’ve ever driven - but a bit much for the street,
(at least for me). The biggest problem was that I didn’t fit in
the car, nor did I fit in any later-model Mustangs, except the
brand new one, which is nice, but I didn’t want to spend new car
dollars + modifications to make it faster. I think Ford must
have had really tall people with long arms and legs designing
the interiors of the Mustang’s before ‘05! The steering wheel
was too close for me, pedals and stick-shift too far away.
That brought me to the
Camaro. I guess I’ll always be a GM guy. I saw some
specially modified cars, but one on eBay in particular
struck my fancy. It was modified right out of the factory in ‘96
by John Lingenfelter, who sadly passed in recent years in
a racing accident. His company however, still modifies Vettes
and Firebirds, and any lingering Camaros (they
unfortunately went out of production in 2003). This particular
car was a 1996 Z28, dark green (another sleeper looking
car) with the 383 Lingenfelter package. The totally
modified engine produces 440 HP, 430 lbs of torque, and includes
a six-speed Hirst, Borla exhaust and numerous suspension
modifications. With only 66k miles, the car looked great and, in
my gut, I knew this was the one!
It also seemed to be fairly
rare, as there was only one other Lingenfelter car for
sale I could find, and I looked everywhere! Anyway, I tracked down
the owner of this green one and we made a deal.
Only one problem: the car was
in Kentucky on consignment at a dealer!
The fun part...
So, my wife (she likes cars
too!) and I decided to be totally spontaneous and booked a
flight out there the next day, over the Labor Day weekend, to
look at the car. It all worked out and we drove the car back to
L.A. over the next couple of days, having a great time together along the way.
It's pretty cool having a loving and supportive wife who puts up
with this kind of indulgence - I mean "therapy"...:>)
The car performed
spectacularly, and got us there in one piece - with no tickets -
and with a very big smile on our faces.
And
that's really what it's all about - working hard AND playing
hard. Every time I start it, it reminds me that this is
something I love to do. It sounds amazing!
After a hard day's
work, I may be out there prowling the streets of L.A. If you
HEAR me coming up up behind you in the left lane...well...you'll
want to kindly move over. |
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Hi everyone and welcome to
the September/October installment of the newsletter! I’ve been
home for a while now, doing some teaching and some recording
work both in and out of my studio. And, of course, a bit of time
off for family and other fun stuff. Also, the management side of
the business always keeps me busy, as I also deal with that side
of things for my band. All the logistical aspects of tour
prepping and managing a band can sometimes gets to be a
full-time job!
The band is gearing up for
some USA touring, first on the Northern West Coast (Oakland and
Seattle - see tour dates). Then, in October, we will be in the
Midwest and on the East Coast. Hope to see some of you out there
if we’re in your region, as we are really looking forward to
playing the USA again! It’s been a while!
I also just wrapped up doing
a few clinics in Texas and Oklahoma for H&H Music and
Brook Mays, put together by Sabian and sponsored as
well by Yamaha, Vic Firth and Shure. I want
to extend a special thanks to all involved in helping me get
through those clinics, from the endorsing company reps to the
guys in the stores that helped with the setup.
I enjoy the teaching aspects
of the clinics very much, sharing all the concepts I’ve learned
from so many great teachers, especially my most recent teacher,
Mr. Freddie Gruber. I feel very strongly about conveying the
approach concepts learned from him, as they have helped me so
much.
In my private teaching, when
I can really get ‘hands on’ with an individual, it thrills me to
see a student ‘get’ it, and understanding the ‘physics’ of
drumming, which I define simply as “getting out of one’s own way
and allowing the sticks to react and rebound the way they
naturally want to.” I played with some of the band tracks from
the latest CD (Multiplicity) This is never quite as much
fun as doing it with the real band, but it does broaden the
performance aspect of the clinics, and is fun nonetheless.
Speaking of "fun," I
have also been spending a little time on another passion of mine
- driving fast! Check out my article, "Behind the Wheel," in the
left column.
Best,
- Dave |
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q
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q.
Hey Dave,
First of all, I'd like to say your drumming is legendary. I
recently saw a clip of you, Steve Gadd, and Vinnie Colaiuta
drumming in L.A. I think is was around the late '80s. I noticed
you and the others were using RC Yamaha drum sets. My
first question is: would you recommend the recording custom drum
set? Secondly, what were the sizes of your drums that you used
during this performance? Thanks for any info you can give me.
- John
a.
Thanks for writing John and thanks for the kind words! Nothing
wrong with the RC kit! I still have mine, and occasionally use
it, but have come to love the newer kits, mostly because of the
mounting systems (YESS) which allow the drums to resonate
better. I don't exactly remember the sizes I was using, but I
would guess 22" kick, 10", 12", 14" and 16" toms. Just a guess -
I would have to go back and look at the video. Anyway, all the
Yamahas sound great. It really depends on your personal
preference.
q.
Hi Dave,
Any thoughts/plans on releasing any of your music in either of
the two
hi-resolution 5.1 surround formats such as SACD or DVD-Audio?
Your music would be perfect for these formats. There seems to be
no support from the labels or general music buying public, but
as a "niche" format, you'd make a lot of us with the play back
equipment very happy. An SACD hybrid with a CD layer would be
awesome since it would play on any CD/DVD player.
Take care,
- Chris
a.
Hey Chris, nice to hear from you! No plans at the moment for the
extended formats for my CDs. It would really be up to the record
company at this point. We'll see what happens in the future!
Nothing in St Louis this year, but we're in
Springfield, IL coming up soon (see tour dates). Hope to see you
there.
- Dave
q.
Hi Dave,
I love the sound of your Sabian HHX Evolution ride cymbal
but I don't find that it is the most appropriate ride for small
group acoustic jazz gigs. My question is, do you use your
Evolution ride for light jazz gigs as well or is there
another particular Sabian ride you prefer to use?
And of course, thanks for being a constant source of
inspiration.
- Michael
a.
Thanks for writing
Michael. The Evolution ride, although not designed for
acoustic music, can work with the right stick and a light touch
for lighter dynamics. Sabian and I have been working on a
new 'acoustic' cymbal collection for the last few years, so I
have been using those prototypes for that application. The line
is set to debut early next year at NAMM as the 'Legacy'
collection. Hang on 'till then if you can! I think your needs in
that department will be met. Keep on swingin'!
- Dave
q.
Hello,
I'm a professional drummer from Toronto, Canada, and wanted to
know if you
have plans to come to Canada with the band on the
Multiplicity tour?
Thanks for your tremendous and musical drumming. You are an
inspiration and
one of the reasons I dedicated my life to drumming!!
All the very best!
- Robin
a.
Hey Robin - thanks
for writing and the kind words! No plans unfortunately to come
North to Toronto, hopefully next year! Thanks for the support,
and I'm glad you enjoy the music. All the best...
- Dave
q.
Hi Dave!
First of all I want you to know that I love your music and style
of playing more than anything else in the world, and thanks for
giving me so much
inspiration and information from all your videos and CDs that
I have been
watching and listening to over and over again trough the years
and
still do of course. Thanks so much!
Anyway, I have some questions that I hope you can answer. I am
trying to
organize my practice at the moment, 'cause at this time I'm
actually able to practice the whole day. I would like to know
how you would organize
and what you would be practicing/focused on if you had the time
to
practice 10 hours each day. What are the main things to know
that have helped you to be the player you are?
And do you know I you will be touring trough the U.K. or Denmark
again?
Thank you.
- Martin
a.
Hi Martin. Thanks
for writing and for all your kind enthusiasm! Regarding practice
schedules, I used to have an organized list of EVERYTHING I
needed to work on, and then systematically went through it.
Everything from technical warm ups, snare drum/chart reading,
independence practice, click-track practice (grooves and solos),
stylistic practice (listening and applying different styles of
music), hand and feet combination exercises - these are a few
that come to mind. It is important to be careful with the body,
however. 10 hours all at once is really not recommended, and
probably impossible for most people anyway. Take breaks, stay
nourished (that doesn't mean 10 cups of coffee a day!) and get
away from it for a while. Be careful....the hands are
delicate....too much use and overuse can harm you forever....be
careful....at the same time, it is good you have so much time. Use it wisely!
All the best,
- Dave
q.
Hey Dave,
In high school how much did you practice a day? How much did you
practice
when you started playing professionally? How much do you
practice today? Is
there anything technically or musically that you want to
further develop for the future?
Thanks for the music!
- Nick
a.
Hey Nick, thanks for
the note. Practice time always depended on what else was going
on. Most of my time practicing was in my younger years, when
development is so important. Remember - it's not always how LONG
you practice, but WHAT you practice. To just play to the same
songs over and over again is kind of pointless. Practice the
'developmental' stuff that will allow you to DO what you want to
do. Get your foundations together and, yes, do it as MUCH as you
can. I guess I'm just trying to emphasize to not waste time when
you HAVE the time to really practice.
All the best,
- Dave
q.
Hi Dave,I
play traditional style most of the time, but after a while when
I try to do rolls around the kit, I get a little tired. At that
time, I switch to matched grip. I can then play faster and more
controlled. Is there something that I'm doing wrong? What can I
do to continue playing for a four hour gig without killing
myself? I see how you and Virgil Donati play traditional style
with such finesse - it drives me crazy! You never look like
you're tired! Can you help me find a solution?
Thank You.
- Sal
a.
Hi Sal - thanks for
the note. It's kind of hard to address this kind of technical
question without seeing what you are doing, and how your kit is
set up. The two main reasons that you would have problems is
that 1: there could be technical issues with your left hand and
the traditional grip that are not allowing you to produce any
sound/power, and 2: your kit could be set up to more naturally
accommodate matched grip. My only recommendation is to suggest
you view my
Natural Evolution - How to develop Technique
video or DVD, where in great detail I explain both of these
topics. The one thing you can think about is that, in my
opinion, the drum set cannot be set up to NATURALLY accommodate
both traditional and matched grip. There has to be a sacrifice
somewhere, and it sounds like your kit may be favoring the
matched grip heights and angles. Try setting up ALL your drums
to more naturally gel with the angle of the left hand. It's all
just a guess. I wish you the best in your search for answer!
- Dave
Have a question for
Dave? About his music? His career? The musicians he's played with?
A practicing tip? This is the place to ask.
Each month, Dave will
answer your questions right here. He can't answer them all - and
can't answer them individually - but using this forum, he'll
answer the most interesting ones he gets.
To submit a question,
send an e-mail to
questions@davewecklnews.com .
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1996 Lingenfelter Camaro
Z28
0-60 MPH
average: 4.2 seconds 1/4 Mile elapsed time: 12.6 seconds at
116mph w/street tires Average horsepower rating: 440hp average Torque output
rating:
430ft/lbs
Top speed: 192.1 MPH (R/T 06/95)
Click
here for more specs! |
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Dave's official web
site,
www.daveweckl.com, is the place
to get updated information throughout the month. Dave is always
adding music and videos you won't want to miss. Make sure to
click the "what's new" icon, which summarizes changes Dave has
made to the site and his schedule. |
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multiplicity tour 2005 |
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The
Multiplicity tour has begun! Come see the Dave Weckl Band
perform your favorite tunes including new ones from
Multiplcity!
United States
August 25-28: Catalina's Los Angeles, CA.
Sept 22-25: Yoshi's Oakland, CA. Sept 27-28:
Jazz Alley Seattle, WA Sept 29: Clinic for
Donn Bennett
October 7: Hoogland Center for the Arts, Springfield, IL.
October 8: Hoogland Center for the Arts, Springfield, IL
clinic (clinic to be
held in the morning)
Oct 9: Martyr's Chicago, IL
Oct 10: Jazz Kitchen, Indianapolis, IN Oct 11:
Wilbert's, Cleveland, OH
Oct 12: Lebanon Catholic School Harrisburg, PA
Oct 13: Avalon Theater, 40 E. Dover St. Easton, MD
Oct 14 & 15: Zanzibar Blue, Philadelphia, PA
Oct 17 & 18: Blues Alley, Washington D.C.
Oct 19-23: Iridium, NYC
Oct 25: Ryle's Cambridge, MA
Oct 26: Oneida High School, 560 Seneca St., Oneida NY
Oct 27: The Colony, Vernon, CT
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join the "street
team!"
The Dave Weckl
Street Team is an exclusive club for fans who want to help
promote Dave and the band.
Being a part of the
Street Team is FREE, and we treat you to some cool stuff just
for helping out!
Click
here to find out more and sign up. Hurry! We
need new members ASAP for the Fall tour!
get dave's new
record!
in-session play-along also available- save 15%
"Multiplicity" sales
are strong! Thanks to all the fans who have purchased this fresh
and inspired new record from the Dave Weckl Band! Click
here to purchase the album
directly from Dave - and also check out the the In Session
play-along series! |
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great links |
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Have
a site that Dave Weckl fans might want to see? Send us an e-mail
at
questions@davewecklnews.com and
maybe we'll throw it in.
Here
are some great sites to check: |
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www.concordrecords.com -
great information about all the
artists on Dave's label. Also check out
www.fantasyjazz.com . |
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www.drummerworld.com -
check out the fantastic page they have devoted to Dave! Great
videos and information. |
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http://www.erjn.it/ - a
great jazz site brought to you by the Europe Jazz Network. |
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http://www.drumnetwork.co.uk/
- news and reviews you can use. |
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http://www.thedrumland.com
- great all around information for all drummers and a nice
tribute to Dave. |
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other
dave-related links... |
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http://www.steveweingart.com
- the official site for Steve Weingart, keyboardist for the Dave
Weckl Band. |
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http://www.tomkennedymusic.com |
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The official site of
Tom Kennedy, bassist for the Dave Weckl Band. |
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http://www.jayoliver.com -
soon to be updated, it still has some good information for one
of Dave's long-time collaborators. |
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http://www.chickcorea.com -
Chick's official site with tons of great information and an
electronic store for all things Chick. |
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http://www.yamaha.com -
Dave endorses this maker of musical instruments and so much
more. |
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http://www.remo.com - Dave
endorses the maker of drumheads, percussion products and more. |
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http://www.sabian.com - the
cymbal maker that produces Dave's line of HHX Evolution cymbals.
You gotta hear them. |
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http://www.vicfirth.com -
features Dave's signature line of drumsticks. |
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news |
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Newsletter Reaches
2,600 Subscribers! |
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Thanks to all of the
loyal fans, there are now more than 2,600 registered
subscribers to this newsletter! Dave and the staff appreciate
your interest and look forward to bringing you the inside scoop
on everything Dave Weckl. |
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Haven't
registered yet? Subscribers get a text e-mail each month
alerting them that the latest newsletter has been posted. But
that's not all. We'll also keep you in the loop with late
breaking news... |
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here to go
to the signup page. |
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and contact information are kept completely private, so we won't
share the information with anyone for any reason. |
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Want to link to this
site? Go for it. But kindly drop us a line at
dave@davewecklnews.com just to let us know. We just
like to keep track. |
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Read Back Issues of
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"Behind The Kit" |
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Read
back issues of "Behind The Kit" by clicking on the "view
back issues" tab under the heading at the top of this page.
Or, click
here. |
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Yahoo newsgroup? |
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You can connect with
Dave Weckl fans all over the world by joining the new Dave Weckl
Newsgroup on Yahoo. |
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here to go to the sign-up page.
To join, simply click the "join this group" button at the top of
the page. You will be asked to sign in to a current Yahoo
account. If you don't have a current account - no problem - it
only takes a few seconds to sign up and it's free! |
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Once you join, you
will be able to post messages and respond to messages from other
members. You can set up your membership to receive new messages
in an e-mail account, or you can view messages by visiting the
group. |
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Exchange ideas on
playing, gear and everything Dave Weckl (and more!) |
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learn
online with dave |
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You can now learn
online through the Virtual Drummer School, an exciting new
interactive learning system that features Dave and many great
international drummers. |
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The Virtual Drummer
School features a wide range of curriculum, including
interactive lessons and demonstrations by the artists, tools to
assess the right level of learning for each student, a focus on
ethnic music, history and a focus on equipment. And that's just
the beginning... |
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Go to
www.virtualdrummerschool.com to
learn more.
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