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dave weckl news, the official newsletter of drummer dave weckl, dave weckl multiplicity

september/october, 2005 edition

 

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Being a working musician can tend to lead one down a path of being a "workaholic," which I have been labeled as more than once - especially by those close to me! No matter what you do for a living, getting away from it and finding inspiration elsewhere can be very healthy - especially for the creative aspect of what you do.

Well, I have been pretty busy lately, but I finally took a little of my own advice and found some inspiration - behind the wheel.

As some of you may know, I have a passion for automobiles, especially ones that go fast! I can easily compare the instantaneous response of drumming and making music to a fast, responsive car.

Over the years, I've had a Porsche 911 SC, a C4 Vette, a 1969 Vette and a 1969 GTO clone. My present day car is certainly no slouch - an ‘01 Audi S4 Avant (that’s a fancy German word for ‘station wagon’). Anyway, it’s a great car, functioning in both utility and sports car-like abilities, propelled by a twin turbo, 300+ horsepower engine with a six-speed. It’s a total sleeper, and rare to boot. There were only around 1,600 brought into the U.S. that year. No real modifications - just a chip.

In an effort to be "practical," I have decided that I want the Audi to last a few more years. I want it to continue to be the everyday car.

So, it was time to look for the impractical car! This brings me to my latest ‘fun’ project.

A little history...

My fastest and most loved muscle car was a four-speed ’69 Vette, mechanically built by my friend and very-able mechanic John Stevenson in Chatsworth, CA (he’s a pretty good drummer too!). When John was finished with it, the small block 350 engine produced over 400 HP at the crank with the A/C on, and sounded like a NASCAR going down the street!

It was a blast, but became very impractical when my daughter, Claire, came along (no back seat!), so the Vette was sold. I had vowed to never buy a real 'project’ again (which the Vette was!) meaning something that had to be restored or that needed a lot of work. I really wanted to get, say, a real ’69 GTO, Firebird, Camaro, Mustang or something like that, but investors have pushed the prices of the nicer cars out-of-site.

Besides that, cars with original high- performance motors of that day are not really drivable on 91 octane gas (best we can get in CA - unless you search out racing gas). So, that brought me to rethinking the situation and considering something relatively late-model.

I wanted something that would go fast and handle well while being relatively comfortable and drivable for everyday use. It would have to offer A/C (gotta have it in the SoCal heat!) and also have the classic rumble of a V8. I started looking at the possibilities of early to mid -'90s cars, but didn’t want another Vette, (still no back seat!) which only left two viable American V8 muscle options: a Mustang or a Camaro (I don’t like the look of the Firebirds).

I went down the Mustang lane first, looking at the fox bodies (mid 80’s through '93). Stock cars, even Cobras were nothing special. They just weren’t quick enough (!) I started seeing a lot of 347 stroked motor cars out there, some with blowers (super chargers). I drove one with over 500 horsepower at the rear wheels - definitely the fastest car I’ve ever driven - but a bit much for the street, (at least for me). The biggest problem was that I didn’t fit in the car, nor did I fit in any later-model Mustangs, except the brand new one, which is nice, but I didn’t want to spend new car dollars + modifications to make it faster. I think Ford must have had really tall people with long arms and legs designing the interiors of the Mustang’s before ‘05! The steering wheel was too close for me, pedals and stick-shift too far away.

That brought me to the Camaro. I guess I’ll always be a GM guy. I saw some specially modified cars, but one on eBay in particular struck my fancy. It was modified right out of the factory in ‘96 by John Lingenfelter, who sadly passed in recent years in a racing accident. His company however, still modifies Vettes and Firebirds, and any lingering Camaros (they unfortunately went out of production in 2003). This particular car was a 1996 Z28, dark green (another sleeper looking car) with the 383 Lingenfelter package. The totally modified engine produces 440 HP, 430 lbs of torque, and includes a six-speed Hirst, Borla exhaust and numerous suspension modifications. With only 66k miles, the car looked great and, in my gut, I knew this was the one!

It also seemed to be fairly rare, as there was only one other Lingenfelter car for sale I could find, and I looked everywhere! Anyway, I tracked down the owner of this green one and we made a deal.

Only one problem: the car was in Kentucky on consignment at a dealer!

The fun part...

So, my wife (she likes cars too!) and I decided to be totally spontaneous and booked a flight out there the next day, over the Labor Day weekend, to look at the car. It all worked out and we drove the car back to L.A. over the next couple of days, having a great time together along the way. It's pretty cool having a loving and supportive wife who puts up with this kind of indulgence - I mean "therapy"...:>)

The car performed spectacularly, and got us there in one piece - with no tickets - and with a very big smile on our faces.

And that's really what it's all about - working hard AND playing hard. Every time I start it, it reminds me that this is something I love to do. It sounds amazing!

After a hard day's work, I may be out there prowling the streets of L.A. If you HEAR me coming up up behind you in the left lane...well...you'll want to kindly move over.

Click images to enlarge.

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Hi everyone and welcome to the September/October installment of the newsletter! I’ve been home for a while now, doing some teaching and some recording work both in and out of my studio. And, of course, a bit of time off for family and other fun stuff. Also, the management side of the business always keeps me busy, as I also deal with that side of things for my band. All the logistical aspects of tour prepping and managing a band can sometimes gets to be a full-time job!

 

The band is gearing up for some USA touring, first on the Northern West Coast (Oakland and Seattle - see tour dates). Then, in October, we will be in the Midwest and on the East Coast. Hope to see some of you out there if we’re in your region, as we are really looking forward to playing the USA again! It’s been a while!

 

I also just wrapped up doing a few clinics in Texas and Oklahoma for H&H Music and Brook Mays, put together by Sabian and sponsored as well by Yamaha, Vic Firth and Shure. I want to extend a special thanks to all involved in helping me get through those clinics, from the endorsing company reps to the guys in the stores that helped with the setup.

 

I enjoy the teaching aspects of the clinics very much, sharing all the concepts I’ve learned from so many great teachers, especially my most recent teacher, Mr. Freddie Gruber. I feel very strongly about conveying the approach concepts learned from him, as they have helped me so much.

 

In my private teaching, when I can really get ‘hands on’ with an individual, it thrills me to see a student ‘get’ it, and understanding the ‘physics’ of drumming, which I define simply as “getting out of one’s own way and allowing the sticks to react and rebound the way they naturally want to.” I played with some of the band tracks from the latest CD (Multiplicity) This is never quite as much fun as doing it with the real band, but it does broaden the performance aspect of the clinics, and is fun nonetheless.

 

Speaking of "fun," I have also been spending a little time on another passion of mine - driving fast! Check out my article, "Behind the Wheel," in the left column.

 

Best,

 

- Dave

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q & a with dave

q. Hey Dave,
First of all, I'd like to say your drumming is legendary. I recently saw a clip of you, Steve Gadd, and Vinnie Colaiuta drumming in L.A. I think is was around the late '80s. I noticed you and the others were using RC Yamaha drum sets. My first question is: would you recommend the recording custom drum set? Secondly, what were the sizes of your drums that you used during this performance? Thanks for any info you can give me.

- John

a. Thanks for writing John and thanks for the kind words! Nothing wrong with the RC kit! I still have mine, and occasionally use it, but have come to love the newer kits, mostly because of the mounting systems (YESS) which allow the drums to resonate better. I don't exactly remember the sizes I was using, but I would guess 22" kick, 10", 12", 14" and 16" toms. Just a guess - I would have to go back and look at the video. Anyway, all the Yamahas sound great. It really depends on your personal preference.
 
q. Hi Dave,

Any thoughts/plans on releasing any of your music in either of the two
hi-resolution 5.1 surround formats such as SACD or DVD-Audio? Your music would be perfect for these formats. There seems to be no support from the labels or general music buying public, but as a "niche" format, you'd make a lot of us with the play back equipment very happy. An SACD hybrid with a CD layer would be awesome since it would play on any CD/DVD player.

Take care,

- Chris

a. Hey Chris, nice to hear from you! No plans at the moment for the extended formats for my CDs. It would really be up to the record company at this point. We'll see what happens in the future! Nothing in St Louis this year, but we're in
Springfield, IL coming up soon (see tour dates). Hope to see you there.

- Dave
 
q. Hi Dave,
 
I love the sound of your Sabian HHX Evolution ride cymbal but I don't find that it is the most appropriate ride for small group acoustic jazz gigs. My question is, do you use your Evolution ride for light jazz gigs as well or is there another particular Sabian ride you prefer to use?
 
And of course, thanks for being a constant source of inspiration.
 
- Michael

a. Thanks for writing Michael. The Evolution ride, although not designed for acoustic music, can work with the right stick and a light touch for lighter dynamics. Sabian and I have been working on a new 'acoustic' cymbal collection for the last few years, so I have been using those prototypes for that application. The line is set to debut early next year at NAMM as the 'Legacy' collection. Hang on 'till then if you can! I think your needs in that department will be met. Keep on swingin'!

- Dave

q. Hello,

I'm a professional drummer from Toronto, Canada, and wanted to know if you
have plans to come to Canada with the band on the Multiplicity tour?

Thanks for your tremendous and musical drumming. You are an inspiration and
one of the reasons I dedicated my life to drumming!!

All the very best!

- Robin

a. Hey Robin - thanks for writing and the kind words! No plans unfortunately to come North to Toronto, hopefully next year! Thanks for the support, and I'm glad you enjoy the music. All the best...

- Dave
 
q. Hi Dave!

First of all I want you to know that I love your music and style of playing more than anything else in the world, and thanks for giving me so much
inspiration and information from all your videos and CDs that I have been
watching and listening to over and over again trough the years and
still do of course. Thanks so much!

Anyway, I have some questions that I hope you can answer. I am trying to
organize my practice at the moment, 'cause at this time I'm actually able to practice the whole day. I would like to know how you would organize
and what you would be practicing/focused on if you had the time to
practice 10 hours each day. What are the main things to know that have helped you to be the player you are?

And do you know I you will be touring trough the U.K. or Denmark again?

Thank you.

- Martin
 
a. Hi Martin. Thanks for writing and for all your kind enthusiasm! Regarding practice schedules, I used to have an organized list of EVERYTHING I needed to work on, and then systematically went through it. Everything from technical warm ups, snare drum/chart reading, independence practice, click-track practice (grooves and solos), stylistic practice (listening and applying different styles of music), hand and feet combination exercises - these are a few that come to mind. It is important to be careful with the body, however. 10 hours all at once is really not recommended, and probably impossible for most people anyway. Take breaks, stay nourished (that doesn't mean 10 cups of coffee a day!) and get away from it for a while. Be careful....the hands are delicate....too much use and overuse can harm you forever....be careful....at the same time, it is good you have so much time. Use it wisely!

All the best,

- Dave

q. Hey Dave,

In high school how much did you practice a day? How much did you practice
when you started playing professionally? How much do you practice today? Is
there anything technically or musically that you want to further develop for the future?

Thanks for the music!

- Nick


a. Hey Nick, thanks for the note. Practice time always depended on what else was going on. Most of my time practicing was in my younger years, when development is so important. Remember - it's not always how LONG you practice, but WHAT you practice. To just play to the same songs over and over again is kind of pointless. Practice the 'developmental' stuff that will allow you to DO what you want to do. Get your foundations together and, yes, do it as MUCH as you can. I guess I'm just trying to emphasize to not waste time when you HAVE the time to really practice.

All the best,

- Dave
 
q. Hi Dave,

I play traditional style most of the time, but after a while when I try to do rolls around the kit, I get a little tired. At that time, I switch to matched grip. I can then play faster and more controlled. Is there something that I'm doing wrong? What can I do to continue playing for a four hour gig without killing myself? I see how you and Virgil Donati play traditional style with such finesse - it drives me crazy! You never look like you're tired! Can you help me find a solution?

Thank You.

- Sal

a. Hi Sal - thanks for the note. It's kind of hard to address this kind of technical question without seeing what you are doing, and how your kit is set up. The two main reasons that you would have problems is that 1: there could be technical issues with your left hand and the traditional grip that are not allowing you to produce any sound/power, and 2: your kit could be set up to more naturally accommodate matched grip. My only recommendation is to suggest you view my Natural Evolution - How to develop Technique video or DVD, where in great detail I explain both of these topics. The one thing you can think about is that, in my opinion, the drum set cannot be set up to NATURALLY accommodate both traditional and matched grip. There has to be a sacrifice somewhere, and it sounds like your kit may be favoring the matched grip heights and angles. Try setting up ALL your drums to more naturally gel with the angle of the left hand. It's all just a guess. I wish you the best in your search for answer!

- Dave

Have a question for Dave? About his music? His career? The musicians he's played with? A practicing tip? This is the place to ask.

Each month, Dave will answer your questions right here. He can't answer them all - and can't answer them individually - but using this forum, he'll answer the most interesting ones he gets.

To submit a question, send an e-mail to questions@davewecklnews.com .

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1996 Lingenfelter Camaro Z28

0-60 MPH average: 4.2 seconds
1/4 Mile elapsed time:  12.6  seconds at 116mph w/street tires
Average horsepower rating: 440hp average
Torque output rating:  430ft/lbs
Top speed:  192.1 MPH (R/T 06/95)

Click here for more specs!

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Dave's official web site, www.daveweckl.com, is the place to get updated information throughout the month. Dave is always adding music and videos you won't want to miss. Make sure to click the "what's new" icon, which summarizes changes Dave has made to the site and his schedule.
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multiplicity tour 2005

The Multiplicity tour has begun! Come see the Dave Weckl Band perform your favorite tunes including new ones from Multiplcity!

United States


August 25-28: Catalina's Los Angeles, CA.
Sept 22-25: Yoshi's Oakland, CA.
Sept 27-28: Jazz Alley Seattle, WA
Sept 29:  Clinic for Donn Bennett
October 7: Hoogland Center for the Arts, Springfield, IL.
October 8: Hoogland Center for the Arts, Springfield, IL clinic (clinic to be
held in the morning)
Oct 9: Martyr's Chicago, IL
Oct 10: Jazz Kitchen, Indianapolis, IN Oct 11: Wilbert's, Cleveland, OH
Oct 12: Lebanon Catholic School Harrisburg, PA
Oct 13: Avalon Theater, 40 E. Dover St. Easton, MD
Oct 14 & 15: Zanzibar Blue, Philadelphia, PA
Oct 17 & 18: Blues Alley, Washington D.C.
Oct 19-23: Iridium, NYC
Oct 25: Ryle's Cambridge, MA
Oct 26: Oneida High School, 560 Seneca St., Oneida NY
Oct 27: The Colony, Vernon, CT

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join the "street team!"

The Dave Weckl Street Team is an exclusive club for fans who want to help promote Dave and the band.

Being a part of the Street Team is FREE, and we treat you to some cool stuff just for helping out!

Click here to find out more and sign up. Hurry! We need new members ASAP for the Fall tour!

get dave's new record!
in-session play-along
also available- save 15%

"Multiplicity" sales are strong! Thanks to all the fans who have purchased this fresh and inspired new record from the Dave Weckl Band! Click here to purchase the album directly from Dave - and also check out the the In Session play-along series!

great links

Have a site that Dave Weckl fans might want to see? Send us an e-mail at questions@davewecklnews.com and maybe we'll throw it in.

Here are some great sites to check:

www.concordrecords.com - great information about all the artists on Dave's label. Also check out www.fantasyjazz.com .
www.drummerworld.com - check out the fantastic page they have devoted to Dave! Great videos and information.
http://www.erjn.it/ - a great jazz site brought to you by the Europe Jazz Network.
http://www.drumnetwork.co.uk/ - news and reviews you can use.
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http://www.thedrumland.com - great all around information for all drummers and a nice tribute to Dave.
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other dave-related links...

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http://www.steveweingart.com - the official site for Steve Weingart, keyboardist for the Dave Weckl Band.
 
http://www.tomkennedymusic.com
The official site of Tom Kennedy, bassist for the Dave Weckl Band.
 
http://www.jayoliver.com - soon to be updated, it still has some good information for one of Dave's long-time collaborators.
 
http://www.chickcorea.com - Chick's official site with tons of great information and an electronic store for all things Chick.
 
http://www.yamaha.com - Dave endorses this maker of musical instruments and so much more.
 
http://www.remo.com - Dave endorses the maker of drumheads, percussion products and more.
 
http://www.sabian.com - the cymbal maker that produces Dave's line of HHX Evolution cymbals. You gotta hear them.
 
http://www.vicfirth.com - features Dave's signature line of drumsticks.
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news

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Newsletter Reaches 2,600 Subscribers!

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Thanks to all of the loyal fans, there are now more than 2,600 registered subscribers to this newsletter! Dave and the staff appreciate your interest and look forward to bringing you the inside scoop on everything Dave Weckl.
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Haven't registered yet? Subscribers get a text e-mail each month alerting them that the latest newsletter has been posted. But that's not all. We'll also keep you in the loop with late breaking news...
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Click here to go to the signup page.
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Your e-mail address and contact information are kept completely private, so we won't share the information with anyone for any reason.
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Want to link to this site? Go for it. But kindly drop us a line at dave@davewecklnews.com just to let us know. We just like to keep track.

Read Back Issues of

"Behind The Kit"

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Read back issues of "Behind The Kit" by clicking on the "view back issues" tab under the heading at the top of this page. Or, click here.

Have you joined
Dave's official Yahoo newsgroup?
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You can connect with Dave Weckl fans all over the world by joining the new Dave Weckl Newsgroup on Yahoo.
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Click here to go to the sign-up page. To join, simply click the "join this group" button at the top of the page. You will be asked to sign in to a current Yahoo account. If you don't have a current account - no problem - it only takes a few seconds to sign up and it's free!
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Exchange ideas on playing, gear and everything Dave Weckl (and more!)

learn online with dave

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You can now learn online through the Virtual Drummer School, an exciting new interactive learning system that features Dave and many great international drummers.
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The Virtual Drummer School features a wide range of curriculum, including interactive lessons and demonstrations by the artists, tools to assess the right level of learning for each student, a focus on ethnic music, history and a focus on equipment. And that's just the beginning...
 
Go to www.virtualdrummerschool.com to learn more.     
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