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In this issue...

Welcome
by Dave Weckl...page 1

Weekend at Yoshi's
Great club, great city...page 2

Berkeley Master Class
Ten lucky students spend the day with Dave...page 3

DWB and Steve Smith's Jazz Legacy in New York
Setup and tuning before the show...page 4

Soulgrass Special Edition
Dave joins Bill Evans' band at the Blue Note...page 5

20th Annual Music Spectacular
Dave performs, teaches, and inspires...page 6

drumFantasy.07
Learn with Dave, Steve Smith, and more...page 7

Getting Technical
by Dennis Moody...page 8

Q&A with Dave
Dave answers questions from fans...page 9

More News
- Spring clinic tour
- Signature sticks selling
- Carlos Santana tribute
- Dave Weckl store news
- 2007 MD Reader's Poll
- MySpace

 

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Berkeley Master Class
(click photos to enlarge in a new window)

During the weekend at Yoshi's, 10 lucky students attended Dave's Saturday afternoon master class in Berkeley. The students were of all ages and playing levels - and they got a lot of quality time with their instructor.

Dave showed up early to greet the students and put a drum kit together for the class. Once assembled, the remaining students filed in and the class began.

Dave started the class by having the students introduce themselves. He then asked each student why they were there and what they hoped to learn that day.

The students' expectations varied, from gaining a better understanding of Dave's warm up routines to setup of his kit, and some higher level topics such as the Moeller technique.

Anyone who has studied with Dave or used his instructional products knows that he believes in establishing a solid foundation of skills and musical understanding. So, this is where he began the class.

Dave asked each student to set up their practice pads and get into their "playing position." Once each student had done this, he asked the students why they had set up that way. For the next several minutes, he went around the room watching each drummer play basic rudiments while analyzing their pad height and stick position.

By doing this, he demonstrated how the wrong angles detract from optimal leverage, depriving a drummer of the ability to play easily, comfortably, and with fluidity. Each drummer made adjustments and it was evident that these adjustments made a world of difference.

Next, Dave focused on leverage in terms of how each student held the sticks. Whether they played matched-grip or traditional, Dave was able to help ease each drummer's efforts so that gravity could work in their favor.

This included going over the basics of the Moeller technique, how it evolved, and how it allows drummers to gain speed and control with efficient movements.

The class was scheduled to run for an hour and a half, but it ran long over. No one looked at the clock - including Dave, who had to get back to Yoshi's for his gig! Overall, it was a very productive day.

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